The Lotus Series

A chandelier Inspired by A Yoga practice

About ┬áseven years ago Janet and I met at her studio In Balance, a center dedicated to well being. She was running the business out of a rather small 1000 square foot building. This was not a lot of space for all of the activities she was running. The yoga room was 15′ x 25′. If there were more than 6 people in the room it felt crowded. After a year the building seemed to shrink and it was time to grow the business.

Fortunately, the property had another building and the owners wanted to sell. So, throwing caution to the wind we purchased the property. With the second building’s additional 2000 square feet Janet had room to grow her business. And we began the arduous process of gutting, then rebuilding the space for her purposes. The main focus of the new building was going to be yoga. At 25 by 45 feet the new yoga room seemed huge. I installed a sprung floor, a cool technology that was originally designed for dancers and gymnasts. This, combined with a radiant heated floor and pristine white walls created a perfect studio. But something was missing, this was a special space and needed something extra special in it. I felt the lighting needed work so I began to look for inspiration.

 

Looking for inspiration

One day on a family outing to the Grounds for Sculpture in Trenton NJ, there it was. A beautiful lotus flower in a pond, one of a hundred or so, captured the feel I was looking for. The blossom that caught my eye was a beautiful shade of purple. The rest was easy, and the next day I began work on a pair of 48 inch diameter glass lotus blossoms.

20" aqua Lotus Chandelier Robert Kuster
20″ aqua Lotus Chandelier Robert Kuster

Jigs are the key

Just like everything I create I use my systematic approach of succeed and fail. We make the basic decisions for size and color, work on the interface of how the glass attaches to the metal framework. then we begin making a bunch of different sizes and shapes of parts. The next step is to see how they all fit together, put the unusable parts aside for now, then go to round two of making more pieces. Whenever possible we make jigs that allow us to slump or bend a piece to keep the pieces more uniform. The extra step of making jigs takes awhile but if you ever want to make more than one of something they’re a huge help. Just make sure you take lots of notes and don’t forget where you put the jigs. Its amazing how easy it is to forget a small detail or step that was a big time-saver in the past. I found not to long ago that keeping a notebook or journal about a project helps when it comes time to recreate it.

Once we have all the pieces figured out and made it’s time to put the chandelier together. We found that over the years on a piece of this type it’s easier to do the initial assembly upside down on the bench. If everything goes together well we add the lights and do another installation in our gallery. We want to make sure everything fits together properly. More importantly we want to make sure there are no surprises for the client.We photograph the piece, crate it up and ship it out.

In addition to the two purple lotus chandeliers we’ve made a dozen or so red, yellow and orange ones for Fogo de Chou and several of different colors schemes for other clients. We have also made well as a 72 inch by 36 inch Lotus for the dining room of a yacht, which I’m sorry to say I don’t have a picture of.