About two years ago we finished the installation of one of the previous blog topics: this set of sculptures in the lobby of Embassy Suites at LAX.

These sculptures (they are spot lit from below instead of lit from within) were designed to bring some color and light to this very large, very tall atrium.

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

Although the space is not too high to hang them from the ceiling, due to earthquake considerations, it was determined that they wold be most secure if mounted on these metal poles.
Recently we we flew back out to LA to set do a little work on these three pieces and thought it would be a good time to update that blog…

 
The atrium of the hotel had undergone a huge renovation during the intervening years. And, although the sculptures were often draped the dust had accumulated through the renovating and redecorating process. This type of cleaning isn’t often necessary, but after such a messy and complex renovation it is often a good idea to finish the redecorating process with a deep clean of the work. And so, with the cleaning and re-hang already on the table we began talking about any changes that the hotel might wish to make.

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

The atrium had been changed over from a warm pale gold tone to be subtle ecru with warm dark wood and blue accents. The colors of the glass still functioned beautifully in place. In the morning they glow like little suns and in the evening, when the glass ceiling above is dark and the sculptures are lit from below, they create a warm, cozy feeling inside the giant space of the atrium. But, this was an ideal opportunity to add just that kind of touch that finishes a space.

 

 

In consultation with the designers and decorators, investors and management we chose to integrate a small amount of blue into the sculptures. To do this we worked in two colors of blue. These blues, when viewed in various lighting conditions, blend the blues of the new accent colors thoroughly into the glass.

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

 

 

After taking all of the glass down, we cleaned each piece with glass cleaner and soft cloths and then began to re-hang the chandelier. As we re-hung the pieces we intermixed the two blue tones and the new blue plates in proportion with the red and yellow and orange that comprised the originals.

 

 

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

Overall the effect is striking. At night, when the chandelier is lit from below, the effect is much more dramatic than before. And during the day the bright spots of blue definitely catch your eye and connect the glass more closely to the accents scattered throughout the great atrium space.

 

 

 

 

 

 

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

 

 

 

We’re recently begun tagging posts on a new app called Fyuse. This app allows us to show you a great 3-dimensional view of a chandelier. It’s free and a whole lot of fun. If you download it, just search for the hashtag #bellemeadhotglass. Hope to see you there!

Goings on at Bellemead Hot Glass

For this post I thought I would just check in with an update about the  current shop goings-on…

 

 

Corning Museum of Glass
Corning Museum of Glass

We all took off to visit the Corning Museum of Glass last Sunday and watched Lino Tagliapietra create a few amazing pieces with his talented team.  It is always a pleasure to see a master at work and the team he has assembled is fantastic in their own right.

 

 

Lino Tagliapietra and tema at a demonstration in Corning Museum of Glass Amphitear

Lino Tagliapietra and tema at a demonstration in Corning Museum of Glass Amphiteater
Lino Tagliapietra and tema at a demonstration in Corning Museum of Glass Amphiteater

 

 

 

is it doneLino has always been a natural teacher. There was never a skill or process that was off-limits.  He had a passion for sharing information and combined with his warm personality his workshops fostered my love of glass.  One of the most important things I learned from Lino was his method of using these 3 things; the form of the vessel, the color and the technique.  He taught me to combine any two of these elements and leave one out.  This way the piece never becomes too artificial…  It was great to see him working on new forms years later and I came away inspired for some new projects myself.

 

 

 

LOOKING AT ART

 

 

We also took time to visit some of Corning’s many galleries and hot shops and of course, Corning Museum itself.  It is good to be surrounded by the energy of creative people and Corning is a beautiful town.  Lino’s visit was in advance of this week’s annual Glass Art Society conference and the pieces we watched him create will ultimately be displayed there.  Unfortunately we had to give most of this week’s many activities a miss since we are in the middle of preparing for an installation in August.  Although we were sorry to miss everyone, it is great to be busy in doing what you love…

 

 

 

 

 

As tight as our current timeline is, we did take a little time this week for a few Father’s Day commissions.  We have done a few very nice sets of rocks and highball glasses, some desk ornaments and we are about to finish another glass fire pit.  GLASSWARE

 

 

It will look similar to the one below and will install on a deck where a real fire might be a very bad idea.

 

 

 

 

 

Firepit in courtyard 2

The Orangerie?

Orangerie? can you say that in a sentence?

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

I mentioned in an earlier post about how I was inspired to take up glassblowing because of my experience watching a glassblower in Venice make a flower. And, I’ve told you about how I went to Venice and watched the amazing floral chandeliers come to life there.This post is about how a flower chandelier I made quite a few years ago and about making a set of 4 sconces to complement it and it’s current installation in the owners new home.

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

Owners often move their chandeliers from one home to another. But this move would add four sconces to the room where the chandelier would be displayed. The owners gave us a very specific commission. Working together the husband and wife team came up with a sketch and a good description. They called for a bouquet of flowers wrapped in deep blue and finished in Satin brass. Although their Chandelier has only yellow tulips they wanted to use the bouquet to introduce more of our flowers and colors into the room. This is exactly the kind of creative work that we love to develop and so, several weeks ago we went to work honing the design.

Finding exactly the right shape for the blue base of the sconce was an interesting process as we worked on creating the twisted tail at the base of the cone and creating enough and yet not too much room for all the lighting inside.  The brass also took some experimentation.  We do almost all of the metal work we need right here in the shop.  But we don’t work with brass very often and we wanted the finish to co-ordinate perfectly with the fixtures that were in the home already.

 

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

 

 

Eventually, everything was just where it should be with the sconces and the long-suffering owners were finally ready for installation.  They were building their dream home and had been through a long and complicated construction process. Everyone was finally ready for the installation.  We would be hanging the existing chandelier and the four sconces all in the same day.  The house was almost finished, but just barely.  Electricians were putting on finishing touches and painters and plaster finishers were carefully inspecting.

 

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

Up until this point, we had not seen any images of the space.  Although we had color samples and had spoken at length regarding the feel of the space and the elements that would occupy it that first sight was breath-taking.

 

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

 

This room was created as an orangerie.  Although we can just buy an orange or a lemon at the grocery store nowadays, these beautiful rooms were once a refuge for those who could afford them.  In the days when winter time nutrition was a struggle, a bright and sunny room like this would be used to keep citrus trees safe through the winter.  This perfect jewel box of a room is finished in Venetian plaster which will acutally become limestone over time.  It is an amazing thing to see all of these ancient building and decorating techniques preserved and put into use in a room like this. Every detail in the space is a delight and our modern style of blown glass somehow looks right at home. The fact that the owners chose my work so many years ago because of their love of the glass flowers which I learned watching in Venice makes it all fit togther perfectly

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

 

 

 

 

The day we got the call part 5

Why is it so hot, it’s April!

The next day after the Acuity team had gone, It was time to get to work. We had proven we could do the Job. All the production and assembly issues had been worked out. We had one sphere nearly completed and now it was all about organization, logistics and hard work. I had calculated about 12,000 pieces of glass and 85,000 welds and pieces of metal to be cut for all of the seven sisters. and if there wasn’t enough on our plates, we had a film crew due to arrive from PBS, MPTV (Milwaukee public television). It was the 20th of April and it was getting hot, like mid to high 80’s and by the end of the week it was going to be in the 90’s. the weather never stopped us from working, but when the temp got up into the 90’s the hot shop typically would go to around 100-125. and it would get pretty unbearable. the key was to drink lots of water. and I would use a trick I learned from my days as a golfer. If you keep a towel in a cooler full of ice, about every 30 minutes or so you could take the towel and wring it out, put it over your head for about 30 seconds and breathe in that cold air. when done just put the towel back in the cooler and you were good to go for another 30 minutes. It worked unbelievably well. So we put ourselves on a schedule. I simply figured the number of work days between the installation date and our start date and we had our work schedule pretty much mapped out If we made 100 pieces a day we would have enough glass for our August Installation. Luckily the 3 larger spheres were due in late August. The 4 smaller ones were due in September, which gave us a break and a chance to clear out our shop before beginning the second phase. Even with a  5,000 sq. ft. building it wasn’t enough space to handle all seven spheres.

Robert Robert Kuster Belle, Mead Hot Glass, Hillsborough New Jersey,Parx Casino Belle, Mead Hot Glass, Hillsborough New Jersey,
Robert Kuster Belle, Mead Hot Glass, Hillsborough New Jersey,Parx Casino

Act naturally.

The day the film crew arrived it was 95 degrees. and I was in no mood to be slowed down by anyone. when it’s that hot out the only thing you think about in the morning is when can I stop. so even before we began they arrived. We had a short meeting about how things would go and then we started. The only problem was I had never been filmed professionally before and was quite nervous about the process and so I asked Lois our producer if she had any pointers for budding film stars and she said “just act naturally” and you’ll be great. and so I did just that and before long it was like they weren’t even there. by day three we had all gone out to dinner a couple of times and we’re having a blast. It wasn’t until a few months later when I saw some edited clips on a high def. monitor that I realized why so much work, effort and resources goes into producing even a 1/2 hour film. Seeing myself on that screen was really cool.

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

Our arrival in Sheboygan

 

The plan was to load the 60 Foot air ride FedEx tractor trailer. with the first three metal spheres our tools welder, misc. equipment and the 6000 pieces of red, yellow and orange glass. get on a plane the next morning and the truck would be waiting for us when we got there. So far so good we arrived 15 minutes before the trucks arrival. the only problem was It had also been there a few hours earlier and we were missing a crate. This was a problem because everything we shipped we needed to do the installation. With a lot of fussing and me nearly in panic mode we figured out that the missing crate was all our tools and the welding machine. So with about an hour of calls later we we’re able to buy or rent everything we needed.

Later that day we found out what happened. the shipment was refused because no one was expecting it. It was returned to the terminal, unloaded and somewhere along the missing crate was separated never to be found again. fortunately we were able to file a claim with FedEx and we we’re paid for our missing equipment.

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

Let the assembly begin.

 

Once we had everything we needed. we had to thing about protecting the floor. which was made of 2 x 2 foot squares of marble. and because we we’re one of the last crews to arrive it was our job to see that nothing was damaged. we protected the floor with 4 x 8 x 1/4 inch sheets of Masonite two layers thick. next we brought all the metal sphere parts up through the freight elevator. then the glass was brought in. fortunately we had a system of labeling the boxes so we knew which box went with which sphere. we had 5 different lengths. 6 diameters and 3 colors. and each panel had a specific arrangement and if something got used up be  While Chris began welding the sphere together the rest of us started sorting the glass. once that was done we were able to organize the glass by each of the twenty triangular sections that made up the sphere. It all went like clockwork, we completely assembled all 3 of the 15 foot sisters. including cleanup in just 5 days. we were all very proud.

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

 

The day we got the call part 4

Our Guests Arrive…

 

The group of six executives from Acuity was due to arrive in the early morning.  I had rented a Lincoln Navigator to shuttle us all around in, figuring that if I had come this far I should go all in.  And so, nervous but excited and both drooling and lisping I put on a blazer (a twice yearly event) and headed to the Trenton Airport.  They arrived right on time in the company jet (a Gulf 4, I think) and we headed to over to my very spacious new rental.

We spent much of the half-hour ride out to my property talking over the construction project as a whole. I was asked about my progress and I had no sooner started to fill them in than we were there. Because of the position of the house in relation to where we parked, they could not see the sphere suspended from in the two ash trees at first.  We walked about a fifty feet towards the main house and only once we passed that corner did the 15′ sphere come into view.

 

It seemed like forever while I waited for someone to speak… “Well! What do you think?” I finally asked.  They were simply speechless; I believe I got a unanimous twelve thumbs up and everyone loved it.  All at once everyone began to speak to each other and to me, telling me how excited they were to have my work in the corporate headquarters.  CEO Ben Salzmann said he thought they should do a documentary on the making and the installation of the project.  But, as wonderful and as all of this was, the best was yet to come…

 

We got the blues…

Belle Mead Hot Glass Robert Kuster Glass Garden Art
Belle Mead Hot Glass Robert Kuster Glass Garden Art

As excited as they were about the three 15′ spheres for the main hall, Ben had a bigger vision.  He wanted to add four slightly smaller spheres, two in each the East and the West wings.  Now, in addition to the spheres of red, yellow and orange, I had assembled several panels of other colors, primarily in blues and greens.  It was important to be sure about the colors before moving forward and these panels would give the executives a chance to see the glass up close and in a grouping of pieces. Ben walked right over to a panel set up in an equal mix of Emerald, Cobalt, Amethyst and Aqua and it was decided right then and there that we would do four more 10′ spheres in colors exactly as I had them laid out.

 

I’m not afraid of heights, I’m not afraid of heights, I’m not, I’m not, I’m not afraid of heights!!!

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

On a side note…

A couple of days before the spheres big debut, I had the bright idea of chartering a helicopter and doing a little aerial photography.  I popped into the Princeton airport and scheduled a flight. My pilot had done this kind of flying for real estate photography many times before.  When I told him what I wanted to do he said “no problem” and “have you done this before?”  Thinking to myself “how hard cans this be” I replied “of course”.  Now, as I buckled into the tiniest helicopter I had ever seen, the pilot walked around and removed my door!  “What are you doing?” I exclaimed, which clearly revealed that I had not, in fact, done this before.  He explained that in order to get any decent shots I would have to trust the buckles and lean out of the door to shoot.

 

As, I began to turn alternating shades of green and white my pilot said ‘Ready?” and off we went.  The trip to my home was only 3-4 miles as the crow flies but when you are nervous and nauseous that can feel like a long way.  I asked the pilot if it was normal for these things to shake so much, it felt as if the whole machine would just vibrate apart well before we got anywhere.  But as we climbed higher and began to move forward a little faster I started to calm down.  It actually became exciting! In about ten minutes we had the sphere in view and I watched as we got closer and closer and it grew bigger and bigger. To be hanging out of this little bubble in the sky and clicking away was truly an adventure I will never forget.

Whats in a name?

On the way back to the Trenton Airport Ben said we should name the installation. At this point I don’t remember who came up with the exact name But, I remember saying Seven Sisters and Ben saying Seven Sisters of Acuity and that was how it got its name.  Dropping Ben and his team off at the airport I felt exhilarated.  Here I was, one day making small gift items and trying to grow my glass business and the next day in a situation that made me feel like the King of the World! Life was Good.

 

The Day We Got The Call

Although I didn’t know it at the time, our lives would never be the same….Part One

We got the call sometime in the fall of 2003, I remember it was very warm, perhaps it was still September? I was just coming in from a run after a day’s work in the hotshop.  As I walked up the driveway Sheila met me outside and said she’d received a call from someone named Ben Salzmann.  He his wife and had been shopping in downtown Madison she had noticed one of the chandeliers in a local gallery.  Knowing that her husband was looking for art for his new corporate headquarters, and liking the look of my chandelier she suggested it. Ben contacted us   and explaining he was looking for art for the new headquarters he was building in Sheboygan, WI for his company Acuity, he asked for some information on our company.

Seven Sisters of Acuity Belle Mead Hot Glass Robert Kuster
Seven Sisters of Acuity Belle Mead Hot Glass Robert Kuster

Calls of this nature were fairly typical at the time. There are often many enquiries before it’s decided that a project is the right fit for all parties; and I learned early on not to count my chickens before they were hatched. About a week later Ben called back and said he received the info we sent him and asked if we could propose some ideas for the space if he sent us some 3Dimensionsal renderings. If my memory serves the main part of the building was about 150′ long by about 70′ wide and 65′ high at the peak. The ends of the hall were gigantic glass walls facing East and West allowing the room to flood with morning and evening light.

019 (3)

Ben said that he wanted two or three sculptures about 8′ to 10′ feet long by whatever width would work for the space. Although this certainly did have my attention, there still no chickens to count. We worked quickly to produce three sets of renderings which fundamentally were enlargements of smaller works I had done. The first rendering was 3 long tapered chandeliers done in a multi-colored fashion, the second rendering was a somewhat ovoid shape in tones of blue and green and the third was three spheres of varying sizes in a blend of red, yellow and orange. The third rendering was a hit. Ben told us he loved the third rendering with the red, yellow and orange evoking the fiery sun in the windows. The only problem, he felt, was the sizes were all wrong. He wasn’t sure what it was about the sizes that he didn’t like but he said he would like to think about it for a few days.

Over the next two weeks I didn’t get much sleep. I paced around wondering what it was exactly that Ben didn’t like about the spheres. Also, how would I tackle a job that, if I landed it would be so much bigger than anything I had ever done before. When the phone finally did ring the answer shocked me. They were too small! That’s right.  The spheres were too small; Ben wanted them bigger, and instead of 6′ to 8′ he wanted them 10′ to 11′. Internally, my response was no way. I couldn’t get my head around the 6′ to 8′ size, how was I possibly going to make them bigger? But, after I thought about it for a couple of days and with some encouragement from family and employees, I figured “I can do this”.

Belle Mead Hot Glass, Robert Kuster, Hillsborough NJ 08844
Belle Mead Hot Glass, Robert Kuster, Hillsborough NJ 08844

Funnily enough, that wasn’t the end of it. Just a couple of days later Ben called back again and upped the ante to no less than 15 feet in diameter and all the same size. My response was exactly the same as before. There’s no way can I pull this off, I though, not to mention the fact that the engineer for the building said the load limit was 15,000 lbs for all three spheres.  And now again, on paper there was no way this was going to work… (Part Two Next Week)

Naples

An Amazing Home In Naples Florida

Recently we received a call from a long-time customer of ours from New Jersey.  He dropped in to visit and ask about one of his chandeliers. We spoke initially about changing the profile of the foyer piece in his Naples, Florida home.   This opportunity seemed ideal to do an LED lighting upgrade so that got added in as well.  And then, as we talked over his growing art collection it seemed obvious that this was a perfect time to do a subtle shift in the colors of the piece to add some depth and echo back the colors of other work of mine he has hanging throughout the house. After sorting out exactly where to go with the modifications and after finally getting everything scheduled we headed down to Naples.

Red yellow & orange foyer chandelier Robert Kuster
Red yellow & orange foyer chandelier Robert Kuster

Bill has added nine chandeliers and one sconce from Belle Mead Hot Glass to this residence over the years.  As an artist it is great seeing how each one integrates into the space he chooses for it.  Using color, size and profile as well as the selection of individual shapes that comprise the chandeliers he has created a thematic flow throughout his home and yet each chandelier looks unique and harmonious in its space.  With our team we worked on two of them, adding to them, adjusting the overall shape and upgrading the lighting.

Bills Gold apricot & clear office chandelier
Bills Gold apricot & clear office chandelier

Naples is a beautiful town with gorgeous views of the water and lush tropical foliage. We spent a few days looking around the town of Naples and admiring the galleries and public installations there while visiting with customers who have moved there over the years and stopping in the local galleries. The light and views combined with the art and community for a very inspiring environment.  Our customers graciously took us on a little meet and greet tour and wined and dined us spectacularly. Soon we began talking about bringing the glass collection outside and a conversation about sculpture in the garden began.

Newly reconfigured red yell & orange Chandelier By Robert Kuster
Newly reconfigured red yell & orange Chandelier By Robert Kuster

The homes on the waterfront in Naples have two different faces; one face they show to the street and one to the water.  The challenge would be to bring the themes of the glass inside the home outside into each space while maintaining the different aesthetics that characterize the bright and open water views and the lush and private front yards.  We had some great discussions over potential inspirations as we walked around the town admiring the public art and while sitting at the amazing local restaurants and watching the sky change in the evenings.  And we came away from this trip with a friendly challenge to produce the perfect pieces for the front and back.

72" x 32" Grape chandelier
72″ x 32″ Grape chandelier
Guest room chandelier By Robert Kuster
Guest room chandelier By Robert Kuster
Guest room chandelier By Robert Kuster
Guest room chandelier By Robert Kuster
Stairwell chandelier Robert Kuster
Stairwell chandelier Robert Kuster
Bills Gold apricot & clear office chandelier
Bills Gold apricot & clear office chandelier

A touch of spring

 

It’s early March and the promise of spring is just around the corner. And with that promise comes memories of dogwood and cherry blossoms.  Although Robert Kuster has been playing with the idea for some time, observing the awakening going on in the garden here brought  this new installation to fruition in the gallery.  The classic form of the flowering cherry is timeless and universal. It is a symbol of the fleetingness of the spring and also now of friendship and peace.  Seeking to honor that form and bring its beauty inside – Blooming Branches took shape.

 

The Blooming Branch Installation is a unique combination of an intricate and detailed metal branch and the bright and glossy cherry blossoms.  This branch was actually cut here at Belle Mead Hot Glass in the metal shop to correspond to the branch of a real cherry tree.  The form was enlarged and altered as needed to fit precisely into the gallery space we wanted to fill.   We’ve also been experimenting here with integrating the glass flowers into painted branches in murals or trompe l’oeil, or in other applications where the wall contours or surfaces might make the steel branch less appropriate. Working from the needs of the space, we create a lifelike branch form in whichever material is most appropriate to the environment.  And then, after meticulously sculpting the flowers, simply fill the branches emulating Spring Herself.

At only 2 inches in depth off the wall surface, the Blooming Branch integrates easily into spaces where 2-dimensional art might seem to be the only option.  Although it was created to bring the natural world inside it is equally suitable for creating a beautiful and natural aesthetic in the out-of-doors.   Using our mounting systems developed here at the shop, the Branches can be mounted in any sheltered place, such as a patio or garden wall.

If you are interested in the Blooming Branches for your home, or business, please contact us at 908281 5516

Robert Kuster Bellemead Hot Glass Cherry Blossom
Robert Kuster Bellemead Hot Glass Cherry Blossom

 

This Cherry Branch is 36″ tall by 72″wide; each hand-sculpted flower ranges from between 5″ -5.5″. The wall clearance on this form is very low. At only two

 

 

Honey I Shrunk the Plates!

Little size big Possibilities

Some artist like to “go big”. Jeff Koons sculpts giant balloon animals. Christo and Jeanne-Claude drape huge public buildings in fabric. After many successful installations of large glass-scapes incorporating some fairly big blown glass plates filling areas as expansive as 2,500 square feet, I wondered about the possibilities that would be inherent only in “going-small”. And that is how the “Scatter” series began. This series of both large and small groupings appears like flowers blossoms tossed into the breeze to scatter naturally as they fall or a a gathering of butterflies.

mini plates 01

The individual plates are lightweight and simple to install. In custom colors, they add a spark to spaces both large and small, indoors and out. They are low profile; sitting relatively flush against the wall (about 1″). They are as perfect for stairways, kitchens, bathrooms, hallways and other high traffic areas as they are for clustering in quiet meditative spaces. They are unaffected by moisture and other out-door elements, and so are an excellent choice for more exposed areas where textile and paper arts might suffer.

In small groupings they create an intimate feel, like a small vase of flowers, in a corner by a favorite chair, in a powder room or on a patio. In larger groupings they can create the organic feeling of a flock of birds wheeling or a drift of flowers on a hillside.

Bellemead Hot Glass Mini plate series
Bellemead Hot Glass
Mini plate series

Due to the adaptability of the in-house designed mounting system these plate compositions can mount to almost any surface in a home or business. And, because of the light weight of the individual pieces and our special mounting system these plate compositions can float right up the wall and onto the ceiling seamlessly.

These “Scatter” forms measure from 4″ to 5″ and are always custom made. If you would like more information about a grouping for your space, please contact us.

Small

In The White Room

Modern foyer with high ceiling and tile floor. View of steep staircase with black and white railings
Modern foyer with high ceiling and tile floor. View of steep staircase with black and white railings

Recently a customer came to us with a really interesting request. They wanted a chandelier for an entertaining space that had lots of visual impact, something you could look at for a long time and find visually interesting, but not busy. It couldn’t be too ornate; but should be a focal point in a very modern room with a minimalist and linear decor. Oh, and it needed to stay within the room’s main theme…”White”

Often, color is among the first things we talk about when designing a chandelier. Complimentary or contrasting? Opaque or transparent? This time the palette was already set. But studio glass is about so much more than just color. Using just a semi-transparent white and touches of black the chandelier would have to rely solely on the layering of the glass and on the way the light passes through those layers in order to create a sufficiently fascinating statement. Using this opalescent white and building up piece over piece this chandelier creates depth and stunning visual texture through the transfer of light through the glass alone.
I think one of the most interesting things about this piece is the way that your eyes keep finding new detail in it. The shadows and reflections cause you to look at the form of the glass and trace the component shapes with your eye without the distraction of color. Because of the transparency and the simplicity of the white on white, all of the intricacies of the form start to reveal themselves. Even after having created and installed so many chandeliers over the years this one causes me to pause and look at how it all fits together and how the light moves through it.

Complex and simple, intricate and elegant – I believe this one will draw the eye of many lucky guests for years to come, and sorry no black curtains.

 

This chandelier measures 72″ in height by 38″ in width. The 30 individual plates average 10″ in diameter and the total weight of the chandelier is 250 lbs. It was installed using an Aladdin Light Lift.