About two years ago we finished the installation of one of the previous blog topics: this set of sculptures in the lobby of Embassy Suites at LAX.

These sculptures (they are spot lit from below instead of lit from within) were designed to bring some color and light to this very large, very tall atrium.

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

Although the space is not too high to hang them from the ceiling, due to earthquake considerations, it was determined that they wold be most secure if mounted on these metal poles.
Recently we we flew back out to LA to set do a little work on these three pieces and thought it would be a good time to update that blog…

 
The atrium of the hotel had undergone a huge renovation during the intervening years. And, although the sculptures were often draped the dust had accumulated through the renovating and redecorating process. This type of cleaning isn’t often necessary, but after such a messy and complex renovation it is often a good idea to finish the redecorating process with a deep clean of the work. And so, with the cleaning and re-hang already on the table we began talking about any changes that the hotel might wish to make.

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

The atrium had been changed over from a warm pale gold tone to be subtle ecru with warm dark wood and blue accents. The colors of the glass still functioned beautifully in place. In the morning they glow like little suns and in the evening, when the glass ceiling above is dark and the sculptures are lit from below, they create a warm, cozy feeling inside the giant space of the atrium. But, this was an ideal opportunity to add just that kind of touch that finishes a space.

 

 

In consultation with the designers and decorators, investors and management we chose to integrate a small amount of blue into the sculptures. To do this we worked in two colors of blue. These blues, when viewed in various lighting conditions, blend the blues of the new accent colors thoroughly into the glass.

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

 

 

After taking all of the glass down, we cleaned each piece with glass cleaner and soft cloths and then began to re-hang the chandelier. As we re-hung the pieces we intermixed the two blue tones and the new blue plates in proportion with the red and yellow and orange that comprised the originals.

 

 

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

Overall the effect is striking. At night, when the chandelier is lit from below, the effect is much more dramatic than before. And during the day the bright spots of blue definitely catch your eye and connect the glass more closely to the accents scattered throughout the great atrium space.

 

 

 

 

 

 

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

 

 

 

We’re recently begun tagging posts on a new app called Fyuse. This app allows us to show you a great 3-dimensional view of a chandelier. It’s free and a whole lot of fun. If you download it, just search for the hashtag #bellemeadhotglass. Hope to see you there!

Goings on at Bellemead Hot Glass

For this post I thought I would just check in with an update about the  current shop goings-on…

 

 

Corning Museum of Glass
Corning Museum of Glass

We all took off to visit the Corning Museum of Glass last Sunday and watched Lino Tagliapietra create a few amazing pieces with his talented team.  It is always a pleasure to see a master at work and the team he has assembled is fantastic in their own right.

 

 

Lino Tagliapietra and tema at a demonstration in Corning Museum of Glass Amphitear

Lino Tagliapietra and tema at a demonstration in Corning Museum of Glass Amphiteater
Lino Tagliapietra and tema at a demonstration in Corning Museum of Glass Amphiteater

 

 

 

is it doneLino has always been a natural teacher. There was never a skill or process that was off-limits.  He had a passion for sharing information and combined with his warm personality his workshops fostered my love of glass.  One of the most important things I learned from Lino was his method of using these 3 things; the form of the vessel, the color and the technique.  He taught me to combine any two of these elements and leave one out.  This way the piece never becomes too artificial…  It was great to see him working on new forms years later and I came away inspired for some new projects myself.

 

 

 

LOOKING AT ART

 

 

We also took time to visit some of Corning’s many galleries and hot shops and of course, Corning Museum itself.  It is good to be surrounded by the energy of creative people and Corning is a beautiful town.  Lino’s visit was in advance of this week’s annual Glass Art Society conference and the pieces we watched him create will ultimately be displayed there.  Unfortunately we had to give most of this week’s many activities a miss since we are in the middle of preparing for an installation in August.  Although we were sorry to miss everyone, it is great to be busy in doing what you love…

 

 

 

 

 

As tight as our current timeline is, we did take a little time this week for a few Father’s Day commissions.  We have done a few very nice sets of rocks and highball glasses, some desk ornaments and we are about to finish another glass fire pit.  GLASSWARE

 

 

It will look similar to the one below and will install on a deck where a real fire might be a very bad idea.

 

 

 

 

 

Firepit in courtyard 2

Falling Flowers

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

 

And Now for Something Completely Different…

A local customer came to us looking for a chandelier that would add lots of light to the space and have a vibrant and fun feel.  The family wanted the area to be brightly lit, but also to avoid boring ceiling spots, unsightly and glaring bare bulbs and run of the mill pendant lamps…

 

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

 

This style of hanging plate or flower chandelier can add both light and color to a space.  After looking through the many glass plates hanging on the wall in the hotshop and going through the images on the website we sat down together and our customers chose just the right size, shape and color for their space…

 

***image of Bob and Scott at the glory***

 

We worked with the finish on the hardware in the rest of the home to build a canopy for this new piece in our metal shop.  It is important that all of the elements of a room tie together visually.  And that is the advantage we have, in making everything here we are able to create each aspect of a design in order to fit best in the space.

 

 

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

 

The canopy we are using here is a grained steel surface that will be easy to care for and attractive in the space.  In our metal shop we can create a huge variety of finishes to evoke whatever feel is most appropriate for the space….

 

 

Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster,Hillsborough NJ 08844

In the end we had a beautiful and functional lighting element that adds lots of light while still functioning as a design element.  Created especially for the space with the full input of the homeowner, we’re sure they’ll enjoy it for years to come.  We certainly enjoyed the process of making it.

Big Tree, Old Tree, Dead Tree, New Tree

Trees don’t live forever, but a little while longer would be nice.

It’s always saddened me to see a tree die, whatever the reason. Trees give us shade, replenish our oxygen and they are home to countless creatures. They give us endless cycles of alternating beauty in the spring and fall. So, when the end is near I have always had a difficult time letting go, this applies especially to the big ones. I have personally tapped the maple trees on my properties for over 25 years. I know the trees I live with and have watched their lives over time.

Bellemead Hot Glass, Robert Kuster Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster Hillsborough NJ 08844

Hurricane Sandy was especially hard on the trees here. I think I lost at least 20 mature trees during the storm and afterwards from storm damage. After the storm I had the large trees that were left standing trimmed and pruned.  Those that couldn’t make it were trimmed and left standing in place.  In some cases I had the bark removed.  Seeing the beautiful grain, the whorls and burls of the trees growth is an amazing peek into its life cycle and endlessly fascinating.

Bellemead Hot Glass, Robert Kuster Hillsborough NJ 08844
Bellemead Hot Glass, Robert Kuster Hillsborough NJ 08844

After the Trimming

Over the last 26 years as a glassblower I’ve handled many large projects. Often, after completion we would find our self with a group of extra pieces which wind up taking up space and collecting dust in our studio. These are the spares we create to be ready for whatever might happen in transport and installation. So when it came time to make decisions about what to do with all the extras we weren’t “stumped” for long. Put it in the trees!

 

Bellemead Hot Glass Robert Kuster Hillsborough NJ 08844
Bellemead Hot Glass Robert Kuster Hillsborough NJ 08844

 

I remembered years ago an old friend of mine (Dave Bush) started hanging empty blue wine bottles from tree limbs. Or more accurately, he would slide the open end over a branch and create a beautiful blue bottle tree sculpture to glisten in the sun. With those charming bottle trees in mind and using what is at hand we now simply go through our supply of extras and decorate those beautiful old trees; adding a few extra years to what would ordinarily have been the end.

Naples

An Amazing Home In Naples Florida

Recently we received a call from a long-time customer of ours from New Jersey.  He dropped in to visit and ask about one of his chandeliers. We spoke initially about changing the profile of the foyer piece in his Naples, Florida home.   This opportunity seemed ideal to do an LED lighting upgrade so that got added in as well.  And then, as we talked over his growing art collection it seemed obvious that this was a perfect time to do a subtle shift in the colors of the piece to add some depth and echo back the colors of other work of mine he has hanging throughout the house. After sorting out exactly where to go with the modifications and after finally getting everything scheduled we headed down to Naples.

Red yellow & orange foyer chandelier Robert Kuster
Red yellow & orange foyer chandelier Robert Kuster

Bill has added nine chandeliers and one sconce from Belle Mead Hot Glass to this residence over the years.  As an artist it is great seeing how each one integrates into the space he chooses for it.  Using color, size and profile as well as the selection of individual shapes that comprise the chandeliers he has created a thematic flow throughout his home and yet each chandelier looks unique and harmonious in its space.  With our team we worked on two of them, adding to them, adjusting the overall shape and upgrading the lighting.

Bills Gold apricot & clear office chandelier
Bills Gold apricot & clear office chandelier

Naples is a beautiful town with gorgeous views of the water and lush tropical foliage. We spent a few days looking around the town of Naples and admiring the galleries and public installations there while visiting with customers who have moved there over the years and stopping in the local galleries. The light and views combined with the art and community for a very inspiring environment.  Our customers graciously took us on a little meet and greet tour and wined and dined us spectacularly. Soon we began talking about bringing the glass collection outside and a conversation about sculpture in the garden began.

Newly reconfigured red yell & orange Chandelier By Robert Kuster
Newly reconfigured red yell & orange Chandelier By Robert Kuster

The homes on the waterfront in Naples have two different faces; one face they show to the street and one to the water.  The challenge would be to bring the themes of the glass inside the home outside into each space while maintaining the different aesthetics that characterize the bright and open water views and the lush and private front yards.  We had some great discussions over potential inspirations as we walked around the town admiring the public art and while sitting at the amazing local restaurants and watching the sky change in the evenings.  And we came away from this trip with a friendly challenge to produce the perfect pieces for the front and back.

72" x 32" Grape chandelier
72″ x 32″ Grape chandelier
Guest room chandelier By Robert Kuster
Guest room chandelier By Robert Kuster
Guest room chandelier By Robert Kuster
Guest room chandelier By Robert Kuster
Stairwell chandelier Robert Kuster
Stairwell chandelier Robert Kuster
Bills Gold apricot & clear office chandelier
Bills Gold apricot & clear office chandelier

A touch of spring

 

It’s early March and the promise of spring is just around the corner. And with that promise comes memories of dogwood and cherry blossoms.  Although Robert Kuster has been playing with the idea for some time, observing the awakening going on in the garden here brought  this new installation to fruition in the gallery.  The classic form of the flowering cherry is timeless and universal. It is a symbol of the fleetingness of the spring and also now of friendship and peace.  Seeking to honor that form and bring its beauty inside – Blooming Branches took shape.

 

The Blooming Branch Installation is a unique combination of an intricate and detailed metal branch and the bright and glossy cherry blossoms.  This branch was actually cut here at Belle Mead Hot Glass in the metal shop to correspond to the branch of a real cherry tree.  The form was enlarged and altered as needed to fit precisely into the gallery space we wanted to fill.   We’ve also been experimenting here with integrating the glass flowers into painted branches in murals or trompe l’oeil, or in other applications where the wall contours or surfaces might make the steel branch less appropriate. Working from the needs of the space, we create a lifelike branch form in whichever material is most appropriate to the environment.  And then, after meticulously sculpting the flowers, simply fill the branches emulating Spring Herself.

At only 2 inches in depth off the wall surface, the Blooming Branch integrates easily into spaces where 2-dimensional art might seem to be the only option.  Although it was created to bring the natural world inside it is equally suitable for creating a beautiful and natural aesthetic in the out-of-doors.   Using our mounting systems developed here at the shop, the Branches can be mounted in any sheltered place, such as a patio or garden wall.

If you are interested in the Blooming Branches for your home, or business, please contact us at 908281 5516

Robert Kuster Bellemead Hot Glass Cherry Blossom
Robert Kuster Bellemead Hot Glass Cherry Blossom

 

This Cherry Branch is 36″ tall by 72″wide; each hand-sculpted flower ranges from between 5″ -5.5″. The wall clearance on this form is very low. At only two

 

 

In The White Room

Modern foyer with high ceiling and tile floor. View of steep staircase with black and white railings
Modern foyer with high ceiling and tile floor. View of steep staircase with black and white railings

Recently a customer came to us with a really interesting request. They wanted a chandelier for an entertaining space that had lots of visual impact, something you could look at for a long time and find visually interesting, but not busy. It couldn’t be too ornate; but should be a focal point in a very modern room with a minimalist and linear decor. Oh, and it needed to stay within the room’s main theme…”White”

Often, color is among the first things we talk about when designing a chandelier. Complimentary or contrasting? Opaque or transparent? This time the palette was already set. But studio glass is about so much more than just color. Using just a semi-transparent white and touches of black the chandelier would have to rely solely on the layering of the glass and on the way the light passes through those layers in order to create a sufficiently fascinating statement. Using this opalescent white and building up piece over piece this chandelier creates depth and stunning visual texture through the transfer of light through the glass alone.
I think one of the most interesting things about this piece is the way that your eyes keep finding new detail in it. The shadows and reflections cause you to look at the form of the glass and trace the component shapes with your eye without the distraction of color. Because of the transparency and the simplicity of the white on white, all of the intricacies of the form start to reveal themselves. Even after having created and installed so many chandeliers over the years this one causes me to pause and look at how it all fits together and how the light moves through it.

Complex and simple, intricate and elegant – I believe this one will draw the eye of many lucky guests for years to come, and sorry no black curtains.

 

This chandelier measures 72″ in height by 38″ in width. The 30 individual plates average 10″ in diameter and the total weight of the chandelier is 250 lbs. It was installed using an Aladdin Light Lift.

The Lotus Series

A chandelier Inspired by A Yoga practice

About  seven years ago Janet and I met at her studio In Balance, a center dedicated to well being. She was running the business out of a rather small 1000 square foot building. This was not a lot of space for all of the activities she was running. The yoga room was 15′ x 25′. If there were more than 6 people in the room it felt crowded. After a year the building seemed to shrink and it was time to grow the business.

Fortunately, the property had another building and the owners wanted to sell. So, throwing caution to the wind we purchased the property. With the second building’s additional 2000 square feet Janet had room to grow her business. And we began the arduous process of gutting, then rebuilding the space for her purposes. The main focus of the new building was going to be yoga. At 25 by 45 feet the new yoga room seemed huge. I installed a sprung floor, a cool technology that was originally designed for dancers and gymnasts. This, combined with a radiant heated floor and pristine white walls created a perfect studio. But something was missing, this was a special space and needed something extra special in it. I felt the lighting needed work so I began to look for inspiration.

 

Looking for inspiration

One day on a family outing to the Grounds for Sculpture in Trenton NJ, there it was. A beautiful lotus flower in a pond, one of a hundred or so, captured the feel I was looking for. The blossom that caught my eye was a beautiful shade of purple. The rest was easy, and the next day I began work on a pair of 48 inch diameter glass lotus blossoms.

20" aqua Lotus Chandelier Robert Kuster
20″ aqua Lotus Chandelier Robert Kuster

Jigs are the key

Just like everything I create I use my systematic approach of succeed and fail. We make the basic decisions for size and color, work on the interface of how the glass attaches to the metal framework. then we begin making a bunch of different sizes and shapes of parts. The next step is to see how they all fit together, put the unusable parts aside for now, then go to round two of making more pieces. Whenever possible we make jigs that allow us to slump or bend a piece to keep the pieces more uniform. The extra step of making jigs takes awhile but if you ever want to make more than one of something they’re a huge help. Just make sure you take lots of notes and don’t forget where you put the jigs. Its amazing how easy it is to forget a small detail or step that was a big time-saver in the past. I found not to long ago that keeping a notebook or journal about a project helps when it comes time to recreate it.

Once we have all the pieces figured out and made it’s time to put the chandelier together. We found that over the years on a piece of this type it’s easier to do the initial assembly upside down on the bench. If everything goes together well we add the lights and do another installation in our gallery. We want to make sure everything fits together properly. More importantly we want to make sure there are no surprises for the client.We photograph the piece, crate it up and ship it out.

In addition to the two purple lotus chandeliers we’ve made a dozen or so red, yellow and orange ones for Fogo de Chou and several of different colors schemes for other clients. We have also made well as a 72 inch by 36 inch Lotus for the dining room of a yacht, which I’m sorry to say I don’t have a picture of.

 

Chandeliers in the home

Below are just a couple of examples of some of the unique chandeliers we’ve produced for homeowners all over the world.

Someone recently asked me how many chandeliers I’ve made, and I realized that I just didn’t know. Although I believe it’s at least three or four thousand, it would be a lot of work to go back over all those old orders and make a count.  The chandeliers we create for peoples homes are always special because we are, in a sense, being invited into their home. Each space, and each  customer is unique. There’s a special satisfaction that comes from working through the challenges of each persons vision and creating a work of art that’s not only beautiful on it’s own but also in harmony with the home and the taste of those who live there.

Because we build all of the parts for the chandeliers right here at Belle Mead Hot Glass we have the freedom to experiment with shape and color and material until we capture just the right idea.  We have built wall sconces in narrow spaces where it seemed like nothing could give the perfect feel and could possibly fit. We have evoked gondolas and fire and flowers in sizes from under two feet to an illuminated “bonfire” sculpture that was every bit as big as a real bonfire.

Variety is the Key

When we first started making chandeliers, we started with three basic parts which complemented each another rather well. The pod a rounded oblong shape with a twisted tail about 16″ to 18″ long, the horn a long twisting narrow shape about 20″ to 22″ long and the gourd which is pear shaped and about 4″ to 5″ in diameter by about 6″ in length. when these three shapes are all put together in somewhat equal proportions they produce a chandelier that has depth and almost comes to life as you move around it. If you have only one color which many clients have  chosen to go with its an amazing piece. If you add multiple colors you get an explosion of color that’s sure to amaze all that see it.

The next logical step

The next logical step was to add accents. A short list includes flowers like tulips, roses ,irises,lillies, and poppies. In an earlier blog we mentioned the addition of sea-life, such as shells, starfish and seahorses. Making chandeliers according to a theme is a great way to showcase a customers love for the things that inspire them. We always welcome a challenge and if a request is something we haven’t done before all the better we love to try new things.

 

One interesting thing that we do here is upgrading, maintaining and retrofitting work from the past. It’s a service we are happy to provide and gives us an occasional tour through past years projects.  Some recent projects in this vein have included splitting a chandelier into two sconces in order to transition it from the entry of a family home to the dining room of a home the couple had recently purchased for retirement. This winter we re-lit a chandelier, switching from halogen to LED for a homeowner seeking to “go green”. And last week we completed a “nuts and bolts” cleaning of a chandelier in a home that had been flooded.  We truly want to create personalized pieces for individuals.

It always comes back to trust. Our customers trust that they are going to get a work of art that will live with them for many years to come. Whether a new construction project, a remodel or and upgrade for an existing work, our chandeliers bring a special kind of joy no matter where they live.

SeaWorld in Orlando, FL

In 2004, Belle Mead Hot Glass was asked to complete a display for SeaWorld, Orlando. Robert Kuster, owner, drew inspiration from the architects, designers, and owners of the facility.

Says Kuster, “It was a collaborative effort with each person contributing artistic ideas and creative elements blended with sound mechanical design. We drew inspiration from one another.”

The result, two 18′ x 12′ displays suspended from the ceiling of the main building. Both displays give the impression of life under the sea, allowing visitors to have the sensation of walking beneath the ocean.